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Exhibition
of works by Ahmad Nadalian
I recently
exhibited my carvings and artwork at the Mahe-Mehr Gallery in Tehran,
from May 14 - 27, 2008.
On my invitation
card, children were invited to visit the exhibition and participate in a
workshop entitled, “We Want to Remain Alive”. Together we aimed to
realize a collaborative project. The children would draw images on
paper, and I would then carve their drawings on stones. More

Children are very
important to me. In the past two decades, many of my art works depict a
mother and child as well as fetuses. Focusing on children -- or on the
fetuses, to be more specific -- focuses attention on our own initial
form and stage of life. I also see the future in them.


The Life before Birth
For
me, the fetus is an allegory for the generation to come. They also
belong to the beginning. We have all experienced life before birth and
the initial stages that it precedes. Life before birth is a spiritual
world of sorts. Do you recall anything from that life?

The Death of the Goddess
I
have created many goddesses and fish carvings and have dedicated them to
nature. Due to a lack of respect, these figures have historically been
ignored and distorted. I reproduce my destroyed works, and for me, they
are metaphors for nature and the life of living creatures who endure
pain, suffering, and are destroyed by the evils of our time.



Who wounded mother
goddess, fish and snakes.



Who can love my
wounded goddess and snakes?


The First Couple
This
work, like many other carvings of mine, shows a reference to the story
of the first couple (Adam & Eve) and their exclusion from heaven.

Cylinder Seals and Print on Sand
I am
inspired by the ancient examples of cylinder seals and consequently have
made large examples adorned with my own carved designs. I then rolled
these cylinder seals onto the surface of sand. The results usually show
a myriad harvest of living creatures adorning the beachfront or sand of
the desert.


Thirsty to experience life

The language of our
time

Freed Fish
Like
a ritual, on many occasions during the past decade, I have dropped my
stones, which have imaginary fish carved onto them, into rivers, canals,
reservoirs, and seas. My fish consequently drop or are 'freed' to the
bottom of a body of water and remain there forever. Hiding does not mean
degeneration and death.
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